This special subject course examines the history of Women’s and Gender Studies at MIT with a focus on documenting its origins as well as its impact. Amid escalating backlash against efforts to diversify higher education, we utilize lessons from the past to chart a sustainable path forward for academic feminism both on our own campus and worldwide. The class explores key debates in WGS around intersectionality, interdisciplinarity, and institutionalization that have informed the process of curricular change. Students will also develop their own research projects informed by feminist methods, with opportunities to practice conducting interviews, managing archival data, and designing digital exhibits. 

Addresses topics such as the development of abortion law in the US and around the world, ethics of abortion and forcible pregnancy, pro- and anti-abortion activism, economics of abortion, and terms related to abortion, including reproductive justice, reproductive rights, bodily autonomy, and fetal politics. Tackles questions including how different societies at different times have approached the question of the removal of a fetus from a human body, who are (or should be) stakeholders in making the decision to deliberately terminate a pregnancy or ban such a decision, and whether abortion was always a "question" that different groups and individuals discussed, evaluated, and regulated. Encourages students to think about this issue in historical context to help them form analytically sound arguments.

Analyzes theories of gender and politics, especially ideologies of gender and their construction; definitions of public and private spheres; gender issues in citizenship, the development of the welfare state, experiences of war and revolution, class formation, and the politics of sexuality. Graduate students are expected to pursue the subject in greater depth through reading and individual research.

Focuses on the power dynamics in internet-related technologies (including social networking platforms, surveillance technology, entertainment technologies, and emerging media forms). Theories and readings focus on the cultural, social, economic, and political aspects of internet use and design, with a special attention to gender and race. Topics include: online communication and communities, algorithms and search engines, activism and online resistance, surveillance and privacy, content moderation and platform governance, and the spread of dis- and misinformation. Instruction and practice in written and oral communication provided. Students taking the graduate version complete additional readings and assignments.

Examines various intersections of health and disability studies within a framework of gender and sexuality studies, critical race theory, geography, decolonized psychology, and cultural studies. Topics vary each year; examples include carceral states, social categorizations of populations, historical and literary studies, and healthcare.

Addresses challenges in working towards global justice including poverty, food and water insecurity, healthcare disparities, human rights violations, violence and dislocation, and environmental risk. Focuses on gender and identity, locating the root causes of inequality within cultural, political and economic contexts. Designed to give a framework to understand gender dynamics. Teaches how to integrate gender sensitive strategies into development work. Classes, readings, and final projects illustrate how design and implementation of international development strategies can provide capacity building and income generation opportunities. Meets with EC.718 when offered concurrently. Students taking graduate version complete additional assignments. Limited to 20 total for versions meeting together.

Explores ways contemporary writers re-imagine myth and fairy tales through lens of gender and sexuality. Examines how old stories can be retold to resonate with issues of power, violence, courage, resistance, identity, community, silence, and voice. Students complete writing project where they re-imagine a myth or fairy tale.

Focuses on LGBT literature from the mid-19 century to the present, with an emphasis on fiction and poetry. In particular, analyzes how LGBT identities and their literary representations have changed over time. Covers authors such as Walt Whitman, Oscar Wilde, Virginia Woolf, James Baldwin, Audre Lorde, Cherrie Moraga, Melvin Dixon, Leslie Feinberg, and Luis Negron.

Explores the memoir genre through a feminist intersectional lens, looking at the ways in which feminist writers ground personal experience within a complex understanding of race, gender, sexuality, class, ethnicity, immigration status/nationality, and dis/ablity. Gives particular attention to the relationships between the personal and the political; form and content; fact, truth, and imagination; self and community; trauma and healing; coming to voice and breaking silence. Readings include books by Audre Lorde, Janet Mock, Daisy Hernandez, Jessica Valenti, and Ariel Gore, and shorter pieces by Meena Alexander and Leah Lakshmi Piepzna-Samarasinha. Drawing on lessons taken from these works, students write a short memoir of their own.

Examines traditional forms of East Asian culture (including literature, art, performance, food, and religion) as well as contemporary forms of popular culture (film, pop music, karaoke, and manga). Covers China, Japan, Korea, Taiwan, and Hong Kong, with an emphasis on China. Considers women's culture, as well as the influence and presence of Asian cultural expressions in the US. Uses resources in the Boston area, including the MFA, the Children's Museum, and the Sackler collection at Harvard. Taught in English.

Addresses the place of contemporary queer identities in French discourse. Discusses the new generation of queer authors and their principal concerns. Introduces students to the main classical references of queer subcultures, from Proust and Vivien to Hocquenghem and Wittig. Examines current debates on post-colonial and globalized queer identities through essays, songs, movies, and novels. Authors include Didier Eribon, Anne Garréta, Abdellah Taïa, Anne Scott, and Nina Bouraoui. Taught in French.

The issue of race and racial identity have preoccupied many writers throughout the history of the US. Students read Jessica Abel, Diana Abu-Jaber, Lynda Barry, Felicia Luna Lemus, James McBride, Sigrid Nunez, Ruth Ozeki, Danzy Senna, Gloria Anzaldua, Judith Ortiz Cofer, Carmit Delman, Stefanie Dunning, Cherrie Moraga, Hiram Perez and others, and consider the story of race in its peculiarly American dimensions. The reading, along with the writing of members of the class, is the focus of class discussions. Oral presentations on subjects of individual interest are also part of the class activities. Students explore race and ethnicity in personal essays, pieces of cultural criticism or analysis, or (with permission of instructor) fiction. All written work is read and responded to in class workshops and subsequently revised. Enrollment limited.

Invites students to analyze cultural artifacts that represent girlhood from various eras and genres, including novels, children's literature, poetry, film, television, and popular music. Conceives girlhood in a broadly inclusive way, putting a range of materials — e.g., cultural artifacts that center Black, Jewish, Asian, and queer girls — in conversation with one another, by artists like Toni Morrison, Judy Blume, Andrea Wang, and Chappell Roan. Helps students build their oral presentation skills. Includes field trips to local museums or cultural events.

Examines the influence of social and cultural determinants (colonialism, nationalism, class, and gender) on modern science and technology. Discusses the relationship of scientific progress to colonial expansions and nationalist aspirations. Explores the nature of scientific institutions within a social, cultural, and political context, and how science and technology have impacted developing societies

Examines Afrofuturism, magical realism, and other forms of the fantastic in literary texts, film, and other media. Through close reading and attention to historical, cultural, and sociopolitical context, students consider how these works reinterpret the past, diagnose modernity, and posit alternative futures. Particular attention given to the roles race, gender, class, and sexuality play within these radically imaginative worlds. Topics vary from term to term but might include work by Octavia Butler, Gabriel García Márquez, Samuel Delany, Toni Morrison, N.K. Jemisin, José María Arguedas, and Janelle Monáe. Limited to 18.

Explores a range of controversies about the role of technology, the nature of scientific research and the place of politics in science: debates about digital piracy and privacy, the role of activism in science, the increasingly unclear boundaries between human and non-human, the role of MRIs as courtroom evidence, the potential influence of gender on scientific research, etc. Provides exposure to science in a dynamic relation with social life and cultural ideas. Materials draw from humanities and social science research, ethnographic fieldwork, films and science podcasts, as well as from experimental multimedia. Enrollment limited.

Explores gender and race through interdisciplinary perspectives from film and visual studies, art history, and performance studies. Provides an overview of methodologies and practices, with an emphasis on contemporary artists working across mediums. Contextualizes artistic output within broader systems of power and cultural institutions. Reflects on the politics of visibility, hypervisibility, and invisibility through an intersectional feminist approach that draws on perspectives from trans*, queer, feminist, dis/ability, and critical race theory. Lectures are supplemented by screenings, discussions, workshops, guest lectures, and optional field trips. Culminates in a final creative project that includes a presentation.

Examines representations of race, gender, and sexual identity in the media. Considers issues of authorship, spectatorship, and the ways in which various media (film, television, print journalism, advertising) enable, facilitate, and challenge these social constructions in society. Studies the impact of new media and digital media through analysis of gendered and racialized language and embodiment online in blogs and vlogs, avatars, and in the construction of cyberidentities. Provides introduction to feminist approaches to media studies by drawing from work in feminist film theory, cultural studies, gender and politics, and cyberfeminism.

Drawing on multiple disciplines - such as literature, history, economics, psychology, philosophy, political science, anthropology, media studies and the arts - to examine cultural assumptions about sex, gender, and sexuality. Integrates analysis of current events through student presentations, aiming to increase awareness of contemporary and historical experiences of women, and of the ways sex and gender interact with race, class, nationality, and other social identities. Students are introduced to recent scholarship on gender and its implications for traditional disciplines.